17th
Beatles - A Day In The Life (Lead Vocal Track)
Interesting things:
-There’s an incredible amount of headphone bleed
- Sounds like Lennon and McCartney are sharing the same vocal booth
- Piano is shared with main vocal track (:55. 1:10)
- Fantastic sounding tape delay in countdown (1:50) and last verse (3:20)
- JL hums along with PM (2:42)
- I think you can hear Lennon laugh around 2:48
- Beautiful artifacts of linear recording (3:19)
- “A Day In The Life” was recorded on a 4-track Studer J37.
I always take the best bits of writing out of my essays before I hand them in. Currently, I’m finishing an essay where my subject headings are :
What We Talk About When We Talk About Authenticity
(and)
Will You Please Commemorate This, Please?
This is because I’m writing about memorials, and the current trend in ‘memorialisation’ is to show everything, all the horror and etc. I’m comparing the official September 11 memorial to the ad hoc ones - which say ‘it all’ but in very different ways. So Raymond Carver is a good fit. Also, they have a good ring, no? Also let me say, I know that these allusions should probably be used a lot more sparingly than I use them, though I do try on to repeat within the same context because they get old very, very fast.
I will probably change these in the next ten minutes to something bland and professional, because nobody will dig it and then think I wasn’t taking September 11 seriously. Maann.
Modernism conceives of representations as being problematic whereas postmodernism problematises reality.
Lash, S., 1990. The Sociology of Postmodernity. London: Routledge, 13.
I think I call things awesome too frequently and without a proper screen. Maybe they aren’t actually “awesome”, and maybe I’m just trying too hard.